A participative approach to architecture challenges many of the normative values of traditional architecture and, in particular, issues of authorship, control, aesthetics and the role of the user. The book explores how a participative approach may lead to new spatial conditions, as well as to new types of architectural practices and investigates the way that the user has been included in the design process. Where many architectural books concentrate on formal or aesthetic issues, this book explicitly opens up the social and political aspects of our built environment, and the way that the eventual users may shape it. As government policies throughout the world call for more involvement by people in the making of their environment, the issue of participation has become of central concern to architects, clients, funders, users and government officers. However, participation often remains as a token gesture; this book promises to make a major contribution to the field by arguing for a more considered approach to architectural participation. Architecture and Participation brings together leading international practitioners and theorists in the field, ranging from the 1960s pioneers of p

The experience of movement, of moving through buildings, cities, landscapes and in everyday life, is the only involvement most individuals have with the built environment on a daily basis. Yet this concept of user experience is so often neglected in architectural study and practice. This book tackles this complex subject for the first time, providing the wide range of perspectives needed to tackle this multi-disciplinary topic. Organised in four parts it: documents the architect's, planner's, or designer's approach, looking at how they have sought to deploy buildings as a promenade and how they have thought or written about it. concentrates on the individual's experience, and particularly on the primacy of walking, which engages other senses besides the visual. engages with society and social rituals, and how mutually we define the spaces through which we move, both by laying out routes and boundaries and by celebrating thresholds. analyses how we deal with promenades which are not experienced directly but via other mediums such as computer models, drawings, film and television.The wide selection of contributors include academics and practitioners and discuss cases from across the US, UK, Europe and Asia. By mingling such disparate voices in a carefully curated selection of chapters, the book enlarges the understanding of architects, architectural students, designers and planners, alerting them to the many and complex issues involved in the experience of movement.

Once again, new interpretations are presented of some of the most famous architecture of the period. Work by lesser-known architects, whose influence and role have been overlooked by conventional histories of the subject, is discussed. The case study structure allows each example to be discussed and used as a springboard to explore different theoretical approaches. Filled with beautiful photographs, plans and architect's drawings, this is a clear and accessible discussion on a period of architecture that engages many questions still under debate in architecture today.

A participative approach to architecture challenges many of the normative values of traditional architecture and, in particular, issues of authorship, control, aesthetics and the role of the user. The book explores how a participative approach may lead to new spatial conditions, as well as to new types of architectural practices and investigates the way that the user has been included in the design process. Where many architectural books concentrate on formal or aesthetic issues, this book explicitly opens up the social and political aspects of our built environment, and the way that the eventual users may shape it. As government policies throughout the world call for more involvement by people in the making of their environment, the issue of participation has become of central concern to architects, clients, funders, users and government officers. However, participation often remains as a token gesture; this book promises to make a major contribution to the field by arguing for a more considered approach to architectural participation. Architecture and Participation brings together leading international practitioners and theorists in the field, ranging from the 1960s pioneers of p

The experience of movement, of moving through buildings, cities, landscapes and in everyday life, is the only involvement most individuals have with the built environment on a daily basis. Yet this concept of user experience is so often neglected in architectural study and practice. This book tackles this complex subject for the first time, providing the wide range of perspectives needed to tackle this multi-disciplinary topic. Organised in four parts it: documents the architect's, planner's, or designer's approach, looking at how they have sought to deploy buildings as a promenade and how they have thought or written about it. concentrates on the individual's experience, and particularly on the primacy of walking, which engages other senses besides the visual. engages with society and social rituals, and how mutually we define the spaces through which we move, both by laying out routes and boundaries and by celebrating thresholds. analyses how we deal with promenades which are not experienced directly but via other mediums such as computer models, drawings, film and television.The wide selection of contributors include academics and practitioners and discuss cases from across the US, UK, Europe and Asia. By mingling such disparate voices in a carefully curated selection of chapters, the book enlarges the understanding of architects, architectural students, designers and planners, alerting them to the many and complex issues involved in the experience of movement.

In their 20 years of architectural practice, Proctor and Matthews Architects have developed a reputation for being at the centre of Britain's urban regeneration debate. Pattern Place Purpose: Proctor and Matthews Architects takes a close look at the company's body of work, examining its working practices in detail. Established in London, the practice has worked with regeneration agencies across the UK, as well as in Europe, the US, New Zealand, and the Caribbean, providing practical and innovative strategies forenhancing urban design. Proctor and Matthews' work has won numerous awards, and the practice have been involved in teaching at some of the UK's leading architectural schools. Proctor and Matthews' work has been consistently committed to imaginative, relevant and forward-thinking solutions in each of its urban projects. This book explores, through commissioned essays, how the practice's concern for cultural identity, historical context and sustainability has earned it international recognition, receiving awards from organisations as diverse as the RIBA, the Evening Standard London Life Style, the World Wildlife Fund and the Civic Trust. Pattern Place Purpose profiles an outstanding, prolific and diverse practice.

The 20th edition of Sir Banister Fletcher's A History of Architecture is the first major work of history to include an overview of the architectural achievements of the 20th Century. Banister Fletcher has been the standard one volume architectural history for over 100 years and continues to give a concise and factual account of world architecture from the earliest times. In this twentieth and centenary edition, edited by Dan Cruickshank with three consultant editors and fourteen new contributors, chapters have been recast and expanded and a third of the text is new. * There are new chapters on the twentieth-century architecture of the Middle East (including Israel), South-east Asia, Hong Kong, Japan and Korea, the Indian subcontinent, Russia and the Soviet Union, Eastern Europe and Latin America. * The chapter on traditional architecture of India has been rewritten and the section on traditional Chinese architecture has been expanded, both with new specially commissioned drawings * The architecture of the Americas before 1900 has been enlarged to include, for the first time, detailed coverage of Latin America and the Caribbean * The book's scope has been widened to include more architecture from outside Europe * The bibliography has been expanded into a separate section and is a key source of information on every period of world architecture * The coverage of the 20th century architecture of North America has been divided into two chapters to allow fuller coverage of contemporary works * 20th century architecture of Western Europe has been radically recast * For the first time the architecture of the twentieth century is considered as a whole and assessed in an historical perspective * Coverage has been extended to include buildings completed during the last ten years * The coverage of Islamic architecture has been increased and re-organised to form a self contained section This unique reference book places buildings in their social, cultural and historical settings to describe the main patterns of architectural development, from Prehistoric to the International Style. Again in the words of Sir Banister Fletcher, this book shows that 'Architecture ... provides a key to the habits, thoughts and aspirations of the people, and without a knowledge of this art the history of any period lacks that human interest with which it should be invested.'

Text in English and German. Peter Hubner began his career as an orthopaedic shoemaker and moved on to cabinet-making before studying architecture. In the 1960s he became a successful designer of prefabricated buildings and sanitary units. This expertise gained him a chair in building construction at the University of Stuttgart where, in collaboration with fellow professor Peter Sulzer, he undertook a series of experiments that changed the course of his architecture. It began with an elaboration of the Walter Segal building method, but culminated in a student hostel designed, built and lived-in by architectural students at Stuttgart University's Vaihingen campus. Using student labour and superfluous or recycled materials it was very cheap, but it also reflected the capabilities and aspirations of its owners in a surprising and potent way, imbuing them with confidence. Hubner was struck by the importance of building as a social process, and understood that the mechanised construction he had earlier been involved in had largely taken the soul out of it. As word about the Vaihingen project got about, Hubner received requests for more cheap self-help buildings and discovered a new professional role as facilitator and ringmaster. Unable to predict how these improvised buildings would turn out, he yielded up the aesthetic control of the designer-despot in favour of experiencing the pleasure of human relationships as a project unfolds. Most new buildings are received by their users with comparative indifference, but the self-help projects engender passionate commitment, and it continues long after they are finished. People identify with the spaces they helped to determine, and naturally appropriate them. As a producer of such anarchic work, it is perhaps surprising to discover that Hubner has also long been at the forefront of CAD, but this is a natural development of systematisation, for if computers can calculate all the variants and irregularities, we need no longer conform to Ford's production line. Hubner uses three-dimensional programmes which connect design directly with production. His work also responds to ecological concerns, not only through the use of recycled and low-energy materials and in avoiding toxicity, but also in passive energy collection. All these issues are explored in the book.

Architecture and Ritual explores how the varied rituals of everyday life are framed and defined in space by the buildings which we inhabit. It penetrates beyond traditional assumptions about architectural style, aesthetics and utility to deal with something more implicit: how buildings shape and reflect our experience in ways of which we remain unconscious. Whether designed to house a grand ceremony or provide shelter for a daily meal, all buildings coordinate and consolidate social relations by giving orientation and focus to the spatial practices of those who use them. Peter Blundell Jones investigates these connections between the social and the spatial, providing critical insights into the capacity for architecture to structure human ritual, from the grand and formal to the mundane. This is achieved through deep readings of individual pieces of architecture, each with a detailed description of its particular social setting and use. The case studies are drawn from throughout architectural history and from around the globe, each enabling a distinct theoretical theme to emerge, and showing how social conventions vary with time and place, as well as what they have in common. Case studies range from the Nuremberg Rally to the Centre Pompidou, and from the Palace of Westminster to Dogon dwellings in Africa and a Modernist hospital. In considering how all architecture has to mesh with the habits, beliefs, rituals and expectations of the society that created it, the book presents deep implications for our understanding of architectural history and theory. It also highlights the importance for architects of understanding how buildings frame social space before they prescribe new architectural designs of their own. The book ends with a recent example of user participation, showing how contemporary user interest and commitment to a building can be as strong as ever.

Architecture and Ritual explores how the varied rituals of everyday life are framed and defined in space by the buildings which we inhabit. It penetrates beyond traditional assumptions about architectural style, aesthetics and utility to deal with something more implicit: how buildings shape and reflect our experience in ways of which we remain unconscious. Whether designed to house a grand ceremony or provide shelter for a daily meal, all buildings coordinate and consolidate social relations by giving orientation and focus to the spatial practices of those who use them. Peter Blundell Jones investigates these connections between the social and the spatial, providing critical insights into the capacity for architecture to structure human ritual, from the grand and formal to the mundane. This is achieved through deep readings of individual pieces of architecture, each with a detailed description of its particular social setting and use. The case studies are drawn from throughout architectural history and from around the globe, each enabling a distinct theoretical theme to emerge, and showing how social conventions vary with time and place, as well as what they have in common. Case studies range from the Nuremberg Rally to the Centre Pompidou, and from the Palace of Westminster to Dogon dwellings in Africa and a Modernist hospital. In considering how all architecture has to mesh with the habits, beliefs, rituals and expectations of the society that created it, the book presents deep implications for our understanding of architectural history and theory. It also highlights the importance for architects of understanding how buildings frame social space before they prescribe new architectural designs of their own. The book ends with a recent example of user participation, showing how contemporary user interest and commitment to a building can be as strong as ever.